An Edwardian Gilt-Framed & Heart-Shaped Verre Eglomisé Needlework Panel; ‘God is Love’ c.1902 sub-Rugs- Carpets & Textiles perhaps Queen Vic sat in

perhaps Queen Vic sat in his wagon or on one of the stalls

The figure’s contrapposto pose

The stoppers are original and most are fully in tact

in southern Iran

An Edwardian Gilt-Framed & Heart-Shaped Verre Eglomisé Needlework Panel; ‘God is Love’ c.1902 sub-Rugs- Carpets & Textiles perhaps Queen Vic sat inOrigin: English Period: Edwardian Provenance: Unknown Date: c. 1902 Height: 26. 5 Width: 24. 75 Depth: 3 (all at extremities) The particularly large Edwardian period needlework consisting of an ivory ground depicting floral wreaths surrounding the central lettering in gold silk of GOD IS LOVE, and signed to the lower section Mother 1902, surrounded by a Verre glomis border of gilt and ebony, the whole glazed and presented in its original gilded frame